"Walkin' Down The Line" is a Bob Dylan song from 1963 that never made an official album but, like many other obscure songs of his, was sought out by other singers for their own albums. This week's mix features covers by Odetta, Jackie DeShannon and Joan Baez, as well as his original.
Beth Orton's recording of "I Wish I Never Saw The Sunshine" is a cover of the Phil Spector-produced epic by The Ronettes.
Merle Haggard wrote "You Don't Have Far To Go" for his debut album, and a few years later re-recorded it as "You Don't Have Very Far To Go", with the changes being the title and a more Spanish-tinged guitar in the latter version. In addition to both versions, this week features Candi Staton's recent recording of it.
"Me And The Devil" by Gil Scott-Heron is a modern reworking of Robert Johnson's "Me And The Devil Blues".
The very rare recording of "I Wish I Never Had Met Sunshine" by a teenaged June Carter is a cover of the Gene Autry hit, which is also on here.
The original "Jamaican Version" of "Baby, We've Got A Date" by Bob Marley & The Wailers from their major label debut Catch A Fire sounds punchier and leaner than the regular album version.
The rest: Just Ice's defiant "Goin' Way Back", Sonny Rollins' Brazilian-flavored version of the standard "The Night Has A Thousand Eyes", Seu George's cover of Roy Ayers' "Everybody Loves The Sunshine", MF Doom's mellow Steely Dan-sampling instrumental "Dature Stramonium", Al Green's blissful "Soon As I Get Home", MF Doom again with J Dilla's production on "Sniper Elite", the spacey "Beyond Real" by Jigmastas and a hushed version of DJ Jazzy Jeff & The Fresh Prince's "The Prince of Bel-Air Theme" by Sparrows and Crows.